3 Lessons inside 1 video:
Photographer for Brands. Money & Opportunities
Steps of work with brands on examples
How to make money with brand photoshoots
Feel free to speed up the video and watch it in full screen
— just use the settings
🔟 Top 10 Beginner Mistakes with Brands — and How to Avoid Them
1. Undervaluing their work
Photographers agree to shoot for “exposure” or very low rates. Brands get used to paying little and don’t see you as a professional.

📌 Example: A brand offers to shoot a lookbook in exchange for clothes. The photographer agrees → no money earned and no real client experience gained.

Do this instead: Even as a beginner, set a fair price. Keep it modest if needed, but always with an agreement and clear deliverables. It builds respect for your work.
2. Not following the brief
Mistake: Ignoring brand references and guidelines, shooting “your own way.” The photos may look nice but don’t fit the task.

📌 Example: Client asked for clean e-com on white background, but the photographer delivered “artistic” shots with dramatic shadows. Client disappointed.

Do this instead: Always ask for the brief, request a moodboard, clarify everything. Better to double-check than to guess.
3. Inconsistent lighting and style
Mistake: Lighting and colors differ from shot to shot, ruining catalogue consistency.

📌 Example: In the same series, models stand closer/farther to the light → skin tones and backgrounds shift.

Do this instead: Lock your settings: exposure, white balance, distance to model. Take a test shot and compare every 10–15 minutes.
4. Poor preparation & no references
Mistake: Showing up without equipment checklist or references. Time gets wasted on set figuring things out.
📌 Example: The stylist and makeup artist create their own look, but the photographer never shared a moodboard → results don’t match client’s vision.
Do this instead: Create a moodboard, confirm references with the client, prepare a shot list and setup plan. Walk onto set ready.
5. Poor communication
Mistake: Failing to discuss deadlines, deliverables, or file formats. Leads to conflict.

📌 Example: Photographer delivers RAW files, but client expected 300 dpi JPEGs with color correction. Project delayed.

Do this instead: Define everything upfront: what you deliver, in what format, and when. Put it in writing, not just verbal.
6. Bad time management
Mistake: Shooting too slowly, mismanaging time. Client pays for studio/models while time is wasted.

📌 Example: 30 looks planned in 6 hours, but photographer only delivered 15 → client frustrated.

Do this instead: Keep pace. Plan timing: how many looks per hour. Track time and inform client if things fall behind.
7. Ignoring small details
Mistake: Wrinkles, crooked collars, dirty background left in frame. Post-production becomes expensive and frustrating for the client.

📌 Example: Half the catalogue images can’t be used because clothes weren’t steamed properly.

Do this instead: Pay attention on set: background, clothes, posture, hands. Fix issues in the moment — cheaper and faster than fixing later.
8. No backup plan
Mistake: Coming without spare batteries or memory cards. Equipment failure ruins the shoot.

📌 Example: Photographer’s battery dies mid-shoot, and part of the project gets canceled. Client loses money and trust.

Do this instead: Always bring backups: cards, batteries, even extra lights. Have a plan B for gear problems.
9. Weak portfolio presentation
Mistake: Portfolio is full of random photos — weddings, landscapes, pets. Brands don’t see relevant experience.

📌 Example: Photographer can shoot catalogue work but has none of it in their portfolio → client chooses someone else.

Do this instead: Build a focused portfolio for brands: e-com, lookbook, catalogue. Even 5 strong, relevant projects beat 100 random images.
10. Treating photography as a hobby
Mistake: No pricing, no contracts, working “as a favor.” Brands can’t take it seriously.

📌 Example: Client asked for invoice and contract, but photographer had nothing → project canceled.

Do this instead: Position yourself as a pro from day one: clear rates, contracts, deposits. Even as a beginner, professionalism builds trust.
💡 Lighting Setups for Brand Shoots
Understanding Light Modifiers
Octabox + Black V-Flats
🔸 IntroductionIn this guide, you’ll learn how different light modifiers shape the mood, texture, and depth of your images — and how to combine them to create professional, brand-ready results.

We’ll go layer by layer — starting with understanding the character of each light modifier, and then moving into combinations, angles, and how light changes depending on your camera settings, model styling, and background elements.
Each modifier gives its own “personality” to light — from soft and wrapping to crisp and contrasty.
Before you start mixing, it’s essential to see how each behaves on its own.
Creates a soft, even light with controlled shadows.
Perfect for clean catalogue looks where you need shape but no harsh contrast.

The Octabox gives a wide, smooth spread, while the black V-flats absorb spill light — defining the model’s silhouette.
*All photos taken by my students
Reflector + V-Flats
Produces sharp, directional light that mimics sunlight.

Ideal for strong, fashion-driven looks or when you want texture in fabrics.
Use V-flats to bounce or block light depending on the mood. Adjust the reflector distance to control intensity.
Beauty Dish
Adds a focused yet flattering light — crisp highlights, gentle fall-off.

Works beautifully for beauty and upper-body fashion shots.
Place slightly above and angled toward the model for dimensionality and catchlights in the eyes.
2 Strobes + V-Flats
Balanced, even illumination — great for full-body e-commerce looks.

Use one light as your key and another as fill. Adjust power ratio for desired contrast.
V-flats help contain and shape the light to maintain a clean background.
White Umbrella (L size)
Soft, diffused, and very forgiving — ideal for beginners.

Produces natural daylight-style lighting, perfect for neutral catalogue shots or lifestyle sets.
Umbrella (Silver)
Brighter and punchier compared to the white umbrella.

Great when you need more contrast or “shine” on reflective fabrics or accessories.
Octabox + Umbrella Combination
When combined, these two create beautifully balanced light with depth and catchlights.

Example setup: Octabox as key light, umbrella as fill.
Result: two soft reflections in the eyes, controlled highlights, and smooth transitions — perfect for portrait-style brand shots.
Building Your Lighting logic
⚡️ Quick Recap
Once you understand how each tool works individually — start mixing them based on the story and product.
👉 Use these principles:
  • Adjust distance = controls softness and intensity.
  • Modify angles = changes texture and mood.
  • Style & fabric = affect how light behaves.
  • Add or remove V-flats = refine shape and contrast.
✔ Learn the character of each modifier
✔ Combine for depth and clean results
✔ Control mood with angles, distance & fill
✔ Practice layering — one light at a time

🎁 Use these setups as your foundation — then experiment!
Even small changes in distance or direction can completely transform the feel of your image.
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